Journal of the stylistic of Persian poem and prose
volume Number 15، number In Volume 8، November 2022 ، issue Number 78

Study of Dahrimaneshi in Contemporary Poetry with an approach to the poems of Nader Naderpour, Fereydoon Moshiri, Nosrat Rahmani

Abdolkarim Karimi , Farzaneh Sorkhi (Author in Charge), Fereydoun Tahmasebi , Behzad Khajat

Abstract

BACKGROUND AND OBJECTIVES: In the literary institution of contemporary poetry, with the break from classical literature and socio-cultural changes after the constitution, the themes of materialism, secularism, and Dahrimaneshi grew up as poets. In this article, with the aim of analyzing DahriManeshi in contemporary poetry, its most prominent components in the poetry of three poets have been studied.

METHODOLOGY: The method of studying and reviewing resources is library. The writing of the article is descriptive-analytical with a selection of poetic examples of poets. The statistical population of the study is the poems of Nader Naderpour, Fereydoon Moshiri and Nosrat Rahmani.

FINDINGS: The themes of DahriManeshi in the poems of all three poets, especially in the first period of poetry in the thirties, have a light frequency. Pleasure with carnal and erotic loves, pub and opium, emptiness of life and ending with death, disbelief in the other world, atheism, complaining about the times and death thinking are the most prominent components of DahriManeshi in poetry. They are. In comparison with poets, the components of DahriManeshi in Nosrat Rahmani"s poetry are more than Naderpour and Moshiri.

CONCLUSION: The thought of DahriManeshi in contemporary Iranian literature, especially in the thirties after the coup d’état of August 28, 1943, is seen in the intellectual style of poets. Poets look at man, God and the world with a materialistic tendency and see the cause of everything from time immemorial.

Keyword
DahriManeshi , God , Death , Love , Naderpour , Moshiri , Rahmani

• Akhavan Langerudi, Mehdi. (2001). God created sorrow, created victory, life and poetry of Nusrat Rahmani, Tehran: Sales.
• Baraheni, Reza. (1992). Gold in Copper (in Poetry), Tehran: Publisher Author.
• Hosseinpour Jafi, Ali. (2008). Currents of Contemporary Persian Poetry from the Coup to the Islamic Revolution, Tehran: Amirkabir.
• Mashkoor, Mohammad Javad. (1998). Summary of religions in the history of great religions, Tehran: Shargh.
• Mo’ein, Mohammad. (2012). Dictionary, Tehran: Amirkabir.
• Moshiri, Fereydoun. (2009). Reflection of the morning soul, generalities of poems, Tehran: Cheshmeh.
• Naderpour, Nader. (2003). Collection of poems, Tehran: Negah.
• Rahmani, Nosrat. (2013). Collection of Poems, Tehran: Negah.
• Roozbeh, Mohammad Reza. (2007). Contemporary Iranian Literature (Poetry), Tehran: Roozgar.
• Shafiee Kodkani, Mohammad Reza. (2004). Tehran: Sokhan.
• Shams Langerudi, Mohammad. (1998). Analytical History of New Poetry, Volume 2, Tehran: Markaz Publishing.
• Tarihi, Fakhreddin. (1996). Majm’a al-Bahrain, Tehran: Mortazavi Bookstore.
• Zarghani, Seyed Mehdi. (2012). Perspectives on Contemporary Iranian Poetry, The Flow of Iranian Poetry in the Twentieth Century, Second Edition, Tehran: Sales.